In music, the schisma (also spelled skhisma) is the interval between the syntonic comma (81:80) and the Pythagorean comma which is slightly larger. It equals or ≈ 1.00113, which corresponds to 1.9537centss (). It may also be defined as:

• the difference (in cents) between 8justly tuned perfect fifths plus a justly tuned major third and 5octaves;

• the ratio of major limma to the Pythagorean limma;

• the ratio of the syntonic comma and the diaschisma.

Schisma is a Greek word meaning a split or crack (see schism) whose musical sense was introduced by Boethius at the beginning of the 6thcentury in the 3rdbook of his De institutione musica. Boethius was also the first to define the diaschisma.

Andreas Werckmeister defined the grad as the twelfth root of the Pythagorean comma, or equivalently the difference between the justly tuned fifth (3:2) and the equally tempered fifth of 700cents (2). This value, 1.955cents, may be well approximated by converting the ratio 886:885 to cents. This interval is also sometimes called a schisma.

is very close to 4:3, the just perfect fourth. This is because the difference between a grad and a schisma is so small. So, a rational intonation version of equal temperament may be obtained by flattening the fifth by a schisma rather than a grad, a fact first noted by Johann Kirnberger, a pupil of Bach. Twelve of these Kirnberger fifths of called the atom of Kirnberger of 0.01536cents.

Tempering out the schisma leads to a schismatic temperament.

Descartes used the word schisma to mean that which multiplied by a perfect fourth produces 27:20 (519.55cents); his schisma divided into a perfect fifth produces 40:27 (680.45cents), and a major sixth times a schisma is 27:16 (905.87cents). However, by this definition a "schisma" would be what is better known as the syntonic comma (81:80).

See also

• Twelfth root of two

References

External links