Wikipedia / Arletty
Wikipedia / Arletty
Léonie Marie Julie Bathiat (15 May 1898 – 23 July 1992), known professionally as Arletty, was a French actress, singer, and fashion model. As an actress she is particularly known for classics directed by Marcel Carné, including Hotel du Nord (1938), Le jour se lève (1939) and Children of Paradise (1945). She was found guilty of treason for an affair with a German officer during World War II.
Early years
Arletty was born on 15 May 1898 in Courbevoie (near Paris), to a working-class family. After her father's death, she left home and pursued a modeling career. She took the stage name "Arlette" based on the heroine of a story by Guy de Maupassant. She was not interested in acting until she met Paul Guillaume, an art dealer. He recommended some theaters and, at the age of 21, she was hired.
Her early career was dominated by the music hall, and she later appeared in plays and cabaret. In 1928 she performed in Maurice Yvain's operetta Yes at the Théâtre des Capucines which was written as a starring vehicle for her. Arletty was a stage performer for ten years before her film debut in 1930. Arletty's career took off around 1936 when she appeared as the leading lady in the stage plays Les Joies du Capitole and Fric-Frac, in which she starred opposite Michel Simon. She later starred as Blanche in the French version of A Streetcar Named Desire.
Marcel Carné was known for his poetic realism filmmaking style. Arletty's role of Raymonde in his film, Hotel du Nord, garnered attention for her "Atmosphere! Atmosphere!” performance. In 1945 Arletty appeared in her most famous film role, the central part of Garance in Les Enfants du Paradis, her fourth role for the director. For this role she earned one of the highest salaries ever in French cinema.
Collaboration
Arletty was imprisoned in 1945 for her wartime liaison with a German Luftwaffe officer, Hans-Jürgen Soehring (1908–1960), during the occupation of France. She allegedly later commented on the experience, "My heart is French but my ass is international." The quotation in French is "Si mon cœur est français, mon cul, lui, est international". Although other French women fell in love with German soldiers, her romantic affiliation with Soehring during the German occupation prompted a charge of treason.
James Lord wrote of her special treatment:
Arletty was too well known for the mere humiliation of having her head shaved, her naked skull tarred with a swastika and in this abject state paraded through the streets to confront the jeers and spittle of the mob. Prison would be none too good for her, people said, looking forward to severe retribution for the moral treason of which they found her guilty. For her crimes she received a sentence of eighteen months' imprisonment. She served a two-month sentence.
Later years
After a moderately successful period as a stage actress in later life she was forced to retire into private life due to progressive loss of her eyesight. One of her final screen appearances was in a small role as an elderly French woman in The Longest Day (1962).
Legacy
In 1995 the government of France issued a series of limited edition coins to commemorate the centenary of film that included a 100 Franc coin bearing the image of Arletty.
Filmography
The Sweetness of Loving (1930) as Une dactylo
A Dog That Pays Off (1932) as Josyane Plaisir
The Beautiful Adventure (1932) as Madame Desmignières
Abduct Me (1932) as Lulu
Mademoiselle Josette, My Woman (1933) as Unknown role
Je te confie ma femme (1933) as Totoche
Une idée folle (1933) as Anita - une danseuse
Un soir de réveillon (1933) as Viviane
Court Waltzes (1933) as La chocolatière
Le voyage de Monsieur Perrichon (1934) as Anita Mathieu
Pension Mimosas (1935) as La môme Parasol
Vertigo (1935) as Emma
Madame Angot's Daughter (1935) as Ducoudray
Lovers and Thieves (1935) as Agathe
La Garçonne (1936) as Niquette
Adventure in Paris (1936) as Rose Blondel de Saint-Leu
The Bureaucrats (1936) as La belle-soeur de la hourmerie
Le Mari rêvé (1936) as Eve Roland
Let's Make a Dream (1936) as Une invitée (prologue)
Mais n'te promène donc pas toute nue (1936) as Clarisse
Feu la mère de madame (1936) as Yvonne
The Pearls of the Crown (1937) as La reine d'Abyssinie
Désiré (1937) as Madeleine Crapicheau, la femme de chambre
Aloha, le chant des îles (1937) as Ginette Gina
Mirages (1938) as Arlette
The Little Thing (1938) as Irma Borel
Mother Love (1938) as Bernadette Mezin
Hôtel du Nord (1938) as Raymonde
Daybreak (1939) as Clara
Fric-Frac (1939) as Loulou
Extenuating Circumstances (1939) as Marie Qu'a-d'ça
Thunder Over Paris (1940) as Ida
Madame Sans-Gêne (1941) as Catherine Hubscher
The Woman I Loved Most (1942) as Simone, l'actrice locataire
Bolero (1942) as Catherine
The Lover of Borneo (1942) as Stella Losange
Les Visiteurs du soir (1942) as Dominique
Children of Paradise (1945) as Claire Reine, dite Garance
Madame et ses peaux-rouges (1948) as Mademoiselle Pascale
Portrait of an Assassin (1949) as Martha
Gigolo (1951) as Madame Alice
Love, Madame (1952) as Herself
The Father of the Girl (1953) as Edith Mars
Flesh and the Woman (1954) Blanche
The Air of Paris (1954) Blanche Le Garrec
Huis clos (1954) as Inès, une lesbienne
My Priest Among the Poor (1956) as Nine
Explosive Vacation! (1957) as Arlette Bernard
The Stowaway (1958) as Gabrielle
And Your Sister? (1958) as Lucrèce du Boccage
Sunday Encounter (1958) as Juliette Armier
Maxime (1958) as Gazelle
Paris la belle (1960, short) as Récitante / Narrator (voice)
Les Primitifs du XIIIe (1960, short) as Récitante / Narrator (voice)
The Dance (1962) as La mère d'Albert
Girl on the Road (1962) as Gabrielle, maîtresse de Rameau
The Law of Men (1962) as Loune de Lindt
The Longest Day (1962) as Madame Barrault
Destination Rome (1962) as La marquise
The Trip to Biarritz (1963) as Fernande
Dina chez les rois (1967) as Récitante / Narrator (voice)
Jacques Prévert (1977) as Herself
Carné, l'homme à la caméra (1985) as Herself (voice)
References
Further reading
External links
Arletty at filmsdefrance.com
Arletty esoteric biography via 4dbios http://www.4dbios.com/E5-FranceHollywood.html
. Die Zeit, No. 32, 2009