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Wikipedia / Architectural design competition

An architectural competition is a type of design competition, in which an entity that intends to build new work, or is just seeking ideas, invites architects to submit design proposals. The winning proposal is usually chosen by an independent panel of design professionals, stakeholders (such as government and local representatives, the leadership of a cultural institution, etc.) or public opinion. The effect of architectural competitions varies with competition format.

Public engagement

Architectural design competitions are often used to generate new ideas for building and/or landscape design, stimulate public engagement, generate publicity for the project and the commissioning entity, and help emerging designers gain exposure (and potentially win commissions that might be out of reach to them otherwise). Architectural competitions are often, though not exclusively, used to award commissions for public buildings: In some countries, government procurement rules for tendering public building contracts stipulate some form of open architectural competition.

History

Architectural competitions have existed for more than 2,500 years. The design of the Acropolis, in Athens, resulted from an architectural competition in 448 B.C., as did several European cathedrals in the Middle Ages. During the Renaissance, many projects initiated by the papacy or other top religious bodies were decided through design competition. Examples are the Spanish Steps in Rome and, famously, the competition for the dome of the Florence Cathedral, won by Filippo Brunelleschi in 1419. Open competitions emerged in the late 18th century in countries including the United States, Great Britain, Ireland, France, and Sweden.

In 19th century England and Ireland, more than 2,500 competitions were held within five decades, with 362 in London alone. The Royal Institute of British Architects drafted its first set of rules in 1839 and its first formal regulations in 1872. German regulations had been introduced in 1867. In the same period, in the Netherlands, an association for the advancement of architecture (Maatschappij tot Bevordering van de Bouwkunst) started organizing conceptual competitions to stimulate creativity among architects.

Competition types

Various competition paradigms exist, most prominently the following types or combinations of them:

Open vs, Invited (or Otherwise Limited) Competitions:

  • Open Competitions: international, national, regional, or otherwise defined in scope, they typically have little or no restrictions on who may enter.

  • Invited, Limited, Pre-Qualified, or otherwise Non-Open Competitions restrict who may participate (and, in many cases, also provide stipends or honorariums to participants) Project vs. Ideas Competitions:

  • Project Competitions: seek schemes for specific building and/ or landscape projects that the commissioning entities intend to realize

  • Ideas Competitions: held for the purpose of generating new ideas (in some cases, particularly novel, provocative, or visionary ones) Single- vs. Multi-stage Competitions

  • Single-Stage Competitions:

  • Multi-Stage Competitions (two stages or more), many of which invite only short-listed participants, a limited group of chosen semi-finalists, to continue to the next stage(s), for which they might receive a stipend or honorarium to help cover costs Anonymous vs. Non-Anonymous Competitions:

  • Anonymous Competitions: judged or juried, for greater objectivity, with no knowledge of the names or identities of participating individuals and firms

  • Non-Anonymous (or Cooperative) Competitions: Competing architects and firms are openly identified from the start (competitors might even be invited to present their projects in person to the jury to explain design strategies and provide for project-specific dialogue) Recurrent vs. One-Time Competitions:

  • Seasonal or Annual Competitions: These recurrent competitions, including Europan, put out periodical calls for entries. They may, or may not, result in an actual constructed project, depending on the set-up.

  • One-Time Competitions, held for a specific project

  • Student Design Competitionss

Rules and guidelines

The rules of each competition are defined by the organizer; they often, however, follow the guidelines provided by the International Union of Architects or the relevant national or regional architectural organization. Competition guidelines define roles, responsibilities, processes, and procedures within a competition and provide guidance on possible competition types, eligibility criteria, jury composition, participation conditions, payments, prizes, publication of results, and other aspects.

In France and Germany, design competitions are compulsory for all public buildings exceeding a certain cost.

Winning first prize in a competition does not guarantee that the project will be realized. The commissioning body often has the right to veto the winning design, and both requirements and finances may change, thwarting the original intention. (Many competitions have been held and won before the financing was even in place.) The 2002 World Trade Center site design competition is an example of a highly publicized competition, in which only the basic elements of the winning design by Daniel Libeskind appeared in the finished project.

Major international architectural design competitions

Most significant among architectural competitions are the ones which are internationally open, attract a large number of design submissions, and the winning design is built.

Competition Name

Location

Year

Winner(s)

Design entries

Grand Egyptian Museum

Giza

2002

Heneghan Peng Architects

1,557

White House

Washington D.C.

1792

James Hoban

9

Walhalla memorial

Donaustauf

1816

Leo von Klenze

Houses of Parliament

London

1835

Charles Barry

98

Vienna Ring Road

Vienna

1858

Ludwig Förster - Friedrich August von Stache - Eduard van der Nüll and August Sicard von Sicardsburg

85

Hofoper

Vienna

1860

Eduard van der Nüll and August Sicard von Sicardsburg

Paris Opera

Paris

1860

Charles Garnier

171

Rijksmuseum

Amsterdam

1863

P.J.H. Cuypers

Law Courts

London

1866

George Edmund Street

11

Reichstag

Berlin

1872

Paul Wallot

Beurs

Amsterdam

1884

Hendrik Petrus Berlage

World Exhibition tower

Paris

1889

Gustave Eiffel

Austrian Postal Savings Bank

Vienna

1903

Otto Wagner

Stockholm City Hall

Stockholm

1903

Ragnar Östberg

Helsinki Central railway station

Helsinki

1903

Eliel Saarinen

21

Peace Palace

The Hague

1905

Louis Marie Cordonnier and J.A.G. van der Steur

Tribune Tower

Chicago

1922

John Mead Howells and Raymond Hood

260

League of Nations Building

Geneva

1926

Henri Paul Nénot & Julien Flegenheimer; Carlo Broggi; Camille Lefèvre; Giuseppe Vago

377

Lenin Library

Moscow

1928

Vladimir Shchuko

ANZAC War Memorial

Sydney

1929

Charles Bruce Dellit

117

Termini Station

Rome

1947

Leo Calini, Eugenio Montuori, Massimo Castellazzi, Vasco Fadigati, Achille Pintonello and Annibale Vitellozzi

Town Hall and Church

Seinäjoki

1950

Alvar Aalto

Sydney Opera House

Sydney

1955

Jørn Utzon

233

Toronto City Hall

Toronto

1956

Viljo Revell

500

Amsterdam City Hall

Amsterdam

1967

Wilhelm Holzbauer, Cees Dam, B. Bijvoet and G.H.M. Holt

804

Supreme Court

Tokyo

1968

Shin-ichi Okada

217

Centre Georges Pompidou

Paris

1971

Renzo Piano and Richard Rogers

681

San Cataldo Cemetery

Modena

1971

Aldo Rossi and Gianni Braghieri

Hong Kong and Shanghai Bank

Hong Kong

1979

Foster Associates

Parliament House of Australia

Canberra

1979

Romaldo Giurgola

329

Cité des Sciences et de l'Industrie

Paris

1980

Adrien Fainsilber and Sylvain Mercier

La Grande Arche de la Défense

Paris

1982

Johan Otto von Spreckelsen

420

Parc de la Villette

Paris

1982

Bernard Tschumi

471

Opéra Bastille

Paris

1983

Carlos Ott

750

Carré d'Art

Nîmes

1984

Norman Foster

12

Shonandai Cultural Centre

Fujisawa

1985

Itsuko Hasegawa

215

New National Theatre

Tokyo

1984

Takahiko Yanagisawa and Tak Associates

228

Tokyo International Forum

Tokyo

1987

Rafael Viñoly

395

Kansai Airport

Osaka

1988

Renzo Piano Building Workshop

48

Jewish Museum

Berlin

1989

Daniel Libeskind

165

Bibliotheca Alexandrina

Alexandria

1989

Snøhetta

523

Bibliothèque Nationale de France

Paris

1989

Dominique Perrault

244

Centre for Japanese Culture

Paris

1989–1990

Masayuki Yamanaka, Kenneth Armstrong & Jennifer Smith

453

Guggenheim Museum Bilbao

Bilbao

1991

Frank Gehry

Kiasma Contemporary Art Museum

Helsinki

1992

Steven Holl

516

Austrian Cultural Forum

New York

1992

Raimund Abraham

226

Royal Danish Library

Copenhagen

1993

Schmidt Hammer Lassen

179

Osanbashi Yokohama International Passenger Terminal

Yokohama

1995

Foreign Office Architects

660

Felix Nussbaum Museum

Osnabrück

1995

Daniel Libeskind

296

Millennium Bridge

London

1996

Norman Foster, Sir Anthony Caro, and Ove Arup

200

Federation Square

Melbourne

1997

Lab Architecture Studio

177

GeoCenter Møns Klint

Møn Island

2002

PLH Architects

292

Philharmonie de Paris

Paris

2011

Jean Nouvel

98

See also

References

Further reading

  • Andersson E., Bloxham Zettersten, G. und Rönn, M., (eds) . Stockholm: The Royal Institute of Technology and Rio Kulturkooperativ, 2013.

  • Chupin, Jean-Pierre, Carmela Cucuzzella and Bechara Helal (eds) , Montreal: Potential Architecture Books, 2015,

  • Collyer, G. Stanley, Competing Globally in Architecture Competitions, Wiley Academy, 2004,

  • De Jong, Cees and Mattie, Erik: Architectural Competitions 1792-1949, Taschen, 1997,