Wikipedia / Thomas Beecham selected discography
Wikipedia / Thomas Beecham selected discography
Selected discography of recordings conducted by Thomas Beecham:
Symphony No. 1 – Royal Philharmonic Orchestra (RPO)
Piano Concerto No. 4 – Arthur Rubinstein/London Philharmonic Orchestra (LPO)
The Ruins of Athens– Beecham Choral Society/ RPO
Symphony No. 2 – RPO
Symphony No. 7 – RPO
Symphony No. 8– RPO
La damnation de Faust – RPO
Harold in Italy – Riddle/RPO
King Lear Overture – RPO
Le Corsaire Overture – RPO
Les Troyens Overture – RPO
Roman Carnival Overture – RPO
Symphonie fantastique – RPO
Trojan March – RPO (one of his last recordings, made in stereo in December 1959)
Waverley Overture – RPO
Carmen – Victoria de Los Angeles, Nicolai Gedda/French National Radio Orchestra
Carnaval à Rome – RPO
Patrie Overture – RPO
Symphony in C – French National Radio Orchestra
Overture in D – RPO
Polovetsian Dances – Beecham Choral Society/RPO
Symphony No. 2 – RPO
Tragic Overture – LPO
Gwendoline Overture – French National Radio Orchestra
Joyeuse marche – RPO
Les deux journées – RPO
Cortège & Air de danse – RPO
Le roi s'amuse – RPO
Appalachia – BBC Chorus/LPO
Brigg Fair – RPO
Dance Rhapsody No. 2 – RPO
Fennimore and Gerda Intermezzo – RPO
Irmelin Prelude – RPO
Sleighride – RPO
A Song Before Sunrise – RPO
Summer Evening – RPO
Summer Night on the River – RPO
Legend in G minor – RPO
Slavonic Rhapsody No. 3 – LPO
Symphony No. 8 – RPO
Dolly Suite – French National Radio Orchestra
Pavane – French National Radio Orchestra
Symphony in D minor – French National Radio Orchestra
Rustic Wedding Symphony – RPO
Faust Ballet music – RPO
Le sommeil de Juliette – RPO
Peer Gynt Suites – RPO
Symphonic dance in A – RPO
Amaryllis – RPO
Love in Bath – RPO
Messiah (complete) – Jon Vickers et al./ RPO
Solomon (complete) – John Cameron/ RPO
The Faithful Shepherd – RPO
The Gods Go A'Begging – RPO
The Great Elopement – LPO
Symphonies 93 – 104 – RPO
The Seasons – Morison, Young, Langdon /RPO
Symphony – RPO
Last sleep of the Virgin – RPO
Waltz from Cendrillon – RPO
Fair Melusine Overture – RPO
Symphony No. 4, Italian – RPO**(Mendelssohn) I Violin concerto (Szigeti)/LPO
Clarinet Concerto – Jack Brymer/RPO
The Magic Flute Overture – RPO
The Magic Flute (complete) – Lemnitz, Roswaenge, Berlin Philharmonic
Flute & Harp Concerto – Le Roy, Laskine/RPO
Concerto for Violin in D, K 218—Szigeti - LPO
German Dance K605 – RPO
Haffner March K249 – RPO
Minuet from Divertimento in D K131 – RPO
Symphony No. 35 – LPO
Symphony No. 36 – LPO
Symphony No. 38 – LPO
Symphony No. 40 – LPO
Symphony No. 41 – RPO
Thamos: Entr'acte – RPO
Violin concerto no 1 op. 19—Szigeti/LPO
La Bohème – Jussi Bjorling, Victoria de Los Angeles/ RCA Victor Symphony Orchestra
Scheherazade – RPO
Le Rouet d'Omphale – RPO
Symphony No. 1 – RPO
Symphony No. 2 – RPO
Symphony No. 3 – RPO
Symphony No. 5 – RPO
Symphony No. 6 – RPO
Symphony No. 8 – RPO
Symphony No. 4 – LPO
Symphony No. 6 – RPO
Symphony No. 7 – RPO
Tapiola – LPO
Valse Triste – RPO
Karelia Suite – RPO
Don Quixote – Wallenstein/New York Philharmonic Orchestra
Ein Heldenleben – RPO (this recording, on a Capitol LP Release, contains a difficult to explain disconnect between the two sides of the orchestra, as 1 side plays a measure behind the other. This oddity takes place just after the second brass fanfare just at the end of side 1. This strange moment does not happen on the CD or EMI LP release. Can someone out there explain this? It is clearly not just a missed mistake by the orchestra, but a major mastering error. Please post your answer here, but you will have to be a musician who can follow the dense scoring in Strauss's Ein Heldenleben.)
Morning Noon and Night – RPO
Poet & Peasant Overture – RPO
Eugene Onegin, waltz – RPO
Francesca da Rimini – LPO
Symphony No. 5 – LPO
Zino Zina Gavotte – RPO
Lohengrin Prelude – RPO
Der Freischütz Overture – LPO
Oberon Overture – LPO
References
Procter-Gregg, Humphry (ed) (1976). Beecham Remembered, pp.201–03. London: Duckworth.