Wikipedia / Kalavati
Wikipedia / Kalavati
Kalavati or Kalawati is a modern pentatonic Hindustani classical raga. Svaras Re (the second tone) and Ma (the fourth tone) are strictly omitted (Varjya/Varjit). Kalavati belongs to the Khamaj Thaat.
Aroha and avaroha
S G P D n S'
In the Western scale, assuming S == C, this would roughly translate to: C E G A B♭ c
S' n D P G S
Kalavati uses (komal) ni as a Vakra Svara in Aroha.
P D n D S'
Vadi and samavadi
The Vadi is Pa, while the Samvadi is Sa
Pakad or chalan
Komal Ni is weak in Aroha and often dropped: G P D n D S' or S G P D S', but in Tanas G P D n S' is also taken.
Komal Ni is also Andolita G P D n~ D P
It's also used as G P D n – S' D G P D S n – D P
Organization and relationships
Kalavati is derived from a Carnatic raga (see also Yagapriya). According to J.D. Patki the raga was popularized in Maharashtra by Pandit Rao Nagarkar, Roshan Ara Begum and Gangubai Hangal. B.Subba Rao explains the Carnatic Kalavati as omitting Ga and Ni in aroha and Ni in Avaroha, using komal Re. That would make it closer to raga Jansamohini.
Carnatic music
In Carnatic music, Kalavati is approximated as Valachi or Valaji, and is considered to be S G P D n S/S n D P G S, and a janya of the 28th Melakartha, Harikambhoji.
Bandishes(Compositions) composed in Raag Kalavati
S.No | Bandish Name / Bandish Initial Bol | Composer and Creator | Taal |
1 | Bharat Jahan Se Pyaara..... भारत जहां से प्यारा..... | Pandit Gokulotsavji Maharaj | TeenTaal |
Film songs
Tamil
Song | Movie | Composer | Singer |
Pongum Kadalosai | |||
Thatti Sellum | Vani Jayaram, Sai Baba | ||
Pottu Vaitha Mugamo | |||
Unnai Yenni Yennai | |||
Devi Sridevi | Devi | ||
Naan Indri Yaar Vaaruvaar (Ragamalika:Abhogi, Valaji) | |||
Yeriyile Oru Kashmir Roja (Ragamalika:Kedar/Hamirkalyani, Valaji) | Madhanamaaligai | M. B. Sreenivasan | |
Vasantha Kaalam Varumo | |||
Naan Irukka Bayam Edarkku | |||
Govardhanan Vanthan | Raga Bandhangal | ||
Kudumbathin Thalaivi Kulavilakku | Olimayamaana Ethirkaalam | ||
Azhagana Sandhangal | |||
Parvai Theril | |||
Thirukona Moolam | S.P. Balasubrahmanyam, Master Vignesh, Baby Pooja | ||
Kanchi Kamatchi | |||
Yedhukkaga Enna | Santhosh Hariharan, A. V. Pooja |
Behavior
G is often a starting note of a combination: G G P D n D P G. While returning to Sa a descending meend is taken from Ga to Sa
Other movements:
S, G P, G\S ṇ Ḍ S, S PG P, DP GS, G P D - - D - - n D P, G G P D n~ , n D P, G P, G P D n D, nD S', S' G' S' S' G' P' G' S' n D, G P D, n n D P, G D P, G n D, G'\S' n D, n D P G P DP G\S, ṇ Ḍ S - | G P D n S n D P G\S - ||
Samay (time)
Evening
Historical information
Important recordings
Imrat Khan, L.P.record No. EASD-1358
Nishat Khan, "Sentimental Sitar", Super Cassettes Ind (1994). Ltd, as CD: SICCD 042
Prabha Atre, "Classical Vocal: Maru Bihag, Kalavati, Thumri Mishra Khamaj", HMV
Acharya Dr. Pandit Gokulotsavji Maharaj, Hindustani Classical Vocal, Bharat Jahan Se Pyara भारत जहां से प्यारा. Recorded to DoorDarshan
See also
References
External links
Literature