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Wikipedia / Kalavati

Kalavati or Kalawati is a modern pentatonic Hindustani classical raga. Svaras Re (the second tone) and Ma (the fourth tone) are strictly omitted (Varjya/Varjit). Kalavati belongs to the Khamaj Thaat.

Aroha and avaroha

Ārohana

S G P D n S'

In the Western scale, assuming S == C, this would roughly translate to: C E G A B♭ c

Avarohana

S' n D P G S

Kalavati uses (komal) ni as a Vakra Svara in Aroha.

P D n D S'

Vadi and samavadi

The Vadi is Pa, while the Samvadi is Sa

Pakad or chalan

Komal Ni is weak in Aroha and often dropped: G P D n D S' or S G P D S', but in Tanas G P D n S' is also taken.

Komal Ni is also Andolita G P D n~ D P

It's also used as G P D n – S' D G P D S n – D P

Organization and relationships

Kalavati is derived from a Carnatic raga (see also Yagapriya). According to J.D. Patki the raga was popularized in Maharashtra by Pandit Rao Nagarkar, Roshan Ara Begum and Gangubai Hangal. B.Subba Rao explains the Carnatic Kalavati as omitting Ga and Ni in aroha and Ni in Avaroha, using komal Re. That would make it closer to raga Jansamohini.

Carnatic music

In Carnatic music, Kalavati is approximated as Valachi or Valaji, and is considered to be S G P D n S/S n D P G S, and a janya of the 28th Melakartha, Harikambhoji.

Bandishes(Compositions) composed in Raag Kalavati

S.No

Bandish Name / Bandish Initial Bol

Composer and Creator

Taal

1

Bharat Jahan Se Pyaara.....

भारत जहां से प्यारा.....

Pandit Gokulotsavji Maharaj

TeenTaal

Film songs

Tamil

Song

Movie

Composer

Singer

Pongum Kadalosai

Meenava Nanban

M. S. Viswanathan

Vani Jayaram

Thatti Sellum

Thanga Pathakkam

Vani Jayaram, Sai Baba

Pottu Vaitha Mugamo

Sumathi En Sundari

S. P. Balasubrahmanyam, B. Vasantha

Unnai Yenni Yennai

Ragasiya Police 115

P. Suseela

Devi Sridevi

Devi

V. Dakshinamoorthy

Naan Indri Yaar Vaaruvaar (Ragamalika:Abhogi, Valaji)

Maalaiyitta Mangai

Viswanathan–Ramamoorthy

T. R. Mahalingam, A. P. Komala

Yeriyile Oru Kashmir Roja (Ragamalika:Kedar/Hamirkalyani, Valaji)

Madhanamaaligai

M. B. Sreenivasan

P. Suseela, K. J. Yesudas

Vasantha Kaalam Varumo

Marakka Mudiyumaa?

T. K. Ramamoorthy

Naan Irukka Bayam Edarkku

Neethiyin Marupakkam

Ilaiyaraaja

S. Janaki

Govardhanan Vanthan

Raga Bandhangal

Kunnakudi Vaidyanathan

Vani Jairam

Kudumbathin Thalaivi Kulavilakku

Olimayamaana Ethirkaalam

Vijaya Bhaskar

Azhagana Sandhangal

Adhu Antha Kaalam

Chandrabose

K.J. Yesudas, Vani Jairam

Parvai Theril

Hemavin Kadhalargal

Raveendran

S. P. Balasubrahmanyam

Thirukona Moolam

Desam

A. R. Rahman

S.P. Balasubrahmanyam, Master Vignesh, Baby Pooja

Kanchi Kamatchi

Killadi Mappillai

Deva

Mano

Yedhukkaga Enna

Rummy

D. Imman

Santhosh Hariharan, A. V. Pooja

Behavior

G is often a starting note of a combination: G G P D n D P G. While returning to Sa a descending meend is taken from Ga to Sa

Other movements:

S, G P, G\S ṇ Ḍ S, S PG P, DP GS, G P D - - D - - n D P, G G P D n~ , n D P, G P, G P D n D, nD S', S' G' S' S' G' P' G' S' n D, G P D, n n D P, G D P, G n D, G'\S' n D, n D P G P DP G\S, ṇ Ḍ S - | G P D n S n D P G\S - ||

Samay (time)

Evening

Historical information

Important recordings

See also

References

Literature